I've read a few of Neil Gaiman's fantasy novels now as well as watching the film Mirrormask , for which he wrote the script. I've enjoyed all of them in that "I just want to keep reading this" way that good genre novels should have. However, I've started realise that he has a template. All the stories he tells are variations on the one story which goes roughly like this. A well-intentioned but hapless young man is trapped in a rather unsatisfactory life. He works in a dead-end job, is in a relationship with a woman who is wrong for him, and is stumbling down the slope to a sub-optimal life. Then some apparently chance encounter or freak event tips him into a completely bizarre parrallel world, in which he must achieve (or help someone achieve) some great and incredibly dangerous task in order to get back to his old life. In other words, these are quest stories. My most recent (but Gaiman's first) is Neverwhere , in which Richard Mayhew, mild-m
'Contemplating the teeming life of the shore, we have an uneasy sense of the communication of some universal truth that lies just beyond our grasp.' - Rachel Carson