Painting Fakes

In the first 30 years of my involvement in church, I would have heard the term 'Universalism' a handful of times.  Most of these were passing, dismissive references from the pulpit or by an established teacher.  I never heard or read a proper explanation of what the term meant. If I had to depend on my church, nothing would have changed.  I have still never heard the concept explained in my church.  I still hear preachers refer to it dismissively from time to time and now that I know more I realise that they have very little understanding of the thing they are dismissing. The difference is that now we have the Internet.  Literate, educated Christians are no longer dependent on their local church and the books their local bookshop is prepared to stock.  The full, fascinating and challenging diversity of the world is now at our fingertips.  We can find networks and forums of people interested in all sorts of things.  Our views can be challenged and questioned from all angles.

Today as I was out walking at lunchtime I found myself thinking about one of the moral tales that formed part of our primary school reading .  It goes by various names including The Cobbler and the Rich Man, The Cobbler and the Financier or The Cobbler's Song .  This story was first made popular in Europe by Jean de la Fontaine , a seventeenth century French author, although it is much older than that and may originate on the Indian sub-continent. In this story a poor cobbler works in his shop each day, and as he works he sings loudly and cheerfully.  This singing is intensely annoying to his neighbour, a wealthy financier who lies awake all night worrying about his money and then is unable to sleep during the day because of the cobbler's noise.  Eventually the rich man hits on a plan - he gives the cobbler a purse containing 100 gold pieces. Immediately the cobbler's peace of mind is shattered and he ceases to sing.  Instead he lies awake at night worrying that som

I've been reading some books on Christian engagement in politics (with a small "p") and I thought I'd review them to give you some highlights.  A great place to start is with Miroslav Volf's  A Public Faith: How Followers of Christ Should Serve the Common Good. Volf is a Croatian-born theologian who studied in Germany under Juergen Moltmann and is now a professor of theology at Yale Divinity School in the USA.  Among other things, he is Director of the Yale Center for Faith and Culture, an institute dedicated to the study of the intersection between faith and wider culture.  He is learned and erudite but also a very accessible author.  He is also open to a wide set of influences, drawing on Islamic and Jewish thinkers as well as Christian ones.  His book has a very simple, elegant construction around a set of pairs through which he drives a rather Aristotelian "golden mean". Volf conceives of Christianity, along with Islam and Judaism, as a prophetic

Whatever modest musical ability I have I owe to my Dad. It took me a while to work this out.  When I was growing up, there wasn't lot of music in the house.  Mum and Dad had a small record collection and on rare occasions they would put something on the scratchy mono turntable Dad had built himself.  We also had a piano, but no-one played it much. As I got older I realised this wasn't how it had always been.  Dad was a decent pianist and also quite a good singer.  As boy he trained as a church chorister, and our photo album included a picture of him dressed as a policeman in a production of Pirates of Penzance  where he and Mum met and fell in love. Sadly by the time I was old enough to notice, Dad had lost a lot of his hearing and this ruined his enjoyment of music.  It's just not the same when you can only hear half the notes.  His only piano playing was an occasional rendition of Fur Elise,  which he could play fairly fluently by heart despite his lack of practice.