Painting Fakes

Jimmy Barnes won't need any introduction to my Australian readers.  He's been in our ears since the early 1980s, first as lead singer of Cold Chisel and later as a solo rocker.  He has played big stadiums, he performed to an audience of billions at the Sydney 2000 Olympic closing ceremony, and his voice is never far from our radios. He's not everyone's cup of tea.  Often he's not mine.  He tends to scream rather than sing.  Yet I also have a sneaking admiration for him, like a kind of dirty musical secret hidden amidst my supposedly more cerebral tastes.  When he has great songs to sing, for instance those written by Don Walker for Cold Chisel, or singing Andy Durant's ' Last of the Riverboats ', he can pull back the intensity and deliver as well as any singer in the country. Lately his musical output has dropped off, and instead he has written and published two volumes of his memoirs - Working Class Boy,  which tells the story of his childhood, a...

Thanks to my friend Tricia, I've been reading a great book by Parker J Palmer called Healing the Heart of Democracy: The courage to create a politics worthy of the human spirit.   Although this is a book about the US, it has a lot to say to Australians and others in democratic societies.  He writes simply and elegantly so that you think what he is saying must be obvious, but he covers territory that is not often discussed in 'political' books and debates. Palmer is an American Quaker activist, now in his late 70s.  This book, published in 2011, arose out of what he describes as a 'season of heartbreak - personal and political heartbreak - that soon descended into a dark night of the soul'.  This arose partly out of his awareness of his personal mortality on turning 65, and partly from feeling increasingly out of step with wider American culture. The terrorist attacks of September 11, 2001, had deepened America's appreciation of democracy and  activated d...