Painting Fakes

If you read this blog from time to time you'll know that I'm a big fan of Bruce Cockburn.  So you won't be surprised to hear that I was very excited about the publication of his memoir, Rumours of Glory,  which hit the shelves in late 2014. I first heard Cockburn in the early 1980s and his music was a revelation to me.  He was the first singer I heard (and still one of a select few) who combined an overt Christian faith with a deep commitment to justice and an immersion in political and social issues.  He is a big name in his native Canada - winner of multiple Juno awards (the equivalent to our ARIAs) and inductee to the Canadian Music Hall of Fame.  Elsewhere he has a fairly low profile and a small but devoted following - especially from people like me. I read Rumours of Glory  over the Easter holiday as we travelled around western Victoria and New South Wales.  Among other things, it inspired me to fill some gaps in my collection of Cockburn CDS ...

So, Michael Clarke has announced his retirement from international cricket, to take place at the end of the Ashes series. It's kind of surprising and not surprising.  Surprising because he's only 34, still young for a cricketer, and because he had been so adamant that he was not retiring.  Not surprising, because his degenerative back condition always meant he would retire younger than most, and because over the past few months he has looked like his heart's not in it. No-one in elite sport is universally loved even among among their team-mates, especially not while they're playing.  Elite sportspeople are driven and competitive and this often makes them abrasive and inconsiderate.  Still, Clarke seems to have copped more criticism than most considering his achievements.  So, in the interests of fairness, here's six things to remember him by. 1. 2012 In the 2012 calendar year, the year after he took over as captain, he scored 2,400 test runs including ...

Over the last couple of years I've been listening attentively to all sorts of religious music in the process of rethinking my own practice.  There's been nothing systematic about it.  Often what I've been listening to is music I've known for a long time, but because I'm more focused on the question I'm listening with different ears. How can we get past heavily theological, formulaic music and find something that creates a genuine emotional connection?  How can we get out of the atonement bubble and sing about everything that matters in our lives?  Are we prepared to weep and get angry as well as celebrate and praise? I've expressed my frustration at the music currently promoted in my church and others like it .  I've contrasted this with the ancient Israelite practice shown in the Book of Psalms , and with some other Christian practices that are often unfairly derided.  But I've also found a lot of what I'm looking for in songwriters from o...